http://journal.neilgaiman.com/2009/11/half-lifetime.html

The editor at CBS Sunday Morning asked if I had any photos of my son Mike back at the period when I first had the idea for The Graveyard Book - late 1985. I looked. We really didn't have any. I wandered next door and asked Mary (his mum, my former wife and for these last five years my friend and next-door neighbour) if she had any photos from back then. "No," she said. Then, "Do you mean those transparencies? I have them in an envelope somewhere." She vanished and came back with a large manila envelope from a long time ago. "Here."

Half a lifetime ago -- literally -- I was nearly 25, and working for magazines. Henry Fikret, who photographed a lot of the interviews I did, volunteered to take some photos of me and my family, and he did.A week later the envelope arrived, and I realised that everything he shot was on colour transparencies -- like huge slides -- and I was never sure what do with them, other than being fairly sure I couldn't take them down to Boots the Chemist and have prints knocked out. So they stayed in their envelope, and they kept their secrets, and were forgotten.

Yesterday I had the transparencies scanned, and finally got to see lots of pictures I had never actually seen before of Holly as a baby, Mike at the time that I would have watched him riding his tricycle around the graveyard, and me... at exactly half my age: A young journalist who had sold a very small handful of short stories and two non-fiction books, with dreams of writing fiction and comics. At the time I was dressing in grey, but was getting tired of the way that you would buy something grey and take it home and discover that it was a blueish grey or a brownish grey, and wondering if I'd have the same problem if I just started to dress in black.

And half a lifetime on, it seemed like it might be good to put one up here. I checked, and Mary didn't mind. What odd clothes we wore back then. What big glasses. And look, my hair is practically normal.





So long ago, and it went like the blink of an eye.

91X Wrex the Halls Tickets
San Diego, Ca.
Hope this is okay to ask here, but does anyone have a General Admission ticket for this event that they'd like to sell? My best friend was a little late on getting hers & while I have a floor access ticket, she didn't get one in time. =/

Side note;
Just got back from listening to the entire "This is War" album. It is amazing. No words could describe the wonderful things I've heard. My favorite is "Night of the Hunter" but there isn't really any track I'd "skip". I love all of it. And a cool fact from the Q & A, Shannon wrote and played guitar on "L490". Amazing right? I agree. ♥

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http://journal.neilgaiman.com/2009/11/for-those-who-read-this-blog-for.html

(Serena Altschul and some author in July, sitting on the trampoline after two days of interviews. None of which, oddly enough, were done on the trampoline.)

Mr. Neil,

I DVR'd yesterday's installment of Sunday Morning and after zipping through it back and forth multiple times cannot seem to find you, though the description indicated the correct episode. Was it bumped to next week? Have you been sucked into an alternate Neil-less universe?

A concerned reader,
Mary

I'm afraid it was bumped by the Fort Hood Massacre.

I checked: The profile CBS did of me is apparently still going out, probably some time in December, although no-one seems certain when. I was told that we could help ensure that it is broadcast (and possibly make it come out sooner than December) if CBS think people would actually like to see it. Which means that if you do want to see it, you can help the process along if you write or email CBS and (politely) tell them so:

ADDRESS:
CBS News Sunday Morning
Box O (for Osgood)
524 West 57th St.
New York, NY 10019

E-MAIL: sundays@cbsnews.com

...
Dear Neil Gaiman, I ask for half-a-moment of your time (I would not presume to ask for more). This Spring 2010 I am teaching a Topics in Literature class on YOU at Winona State University (Eng 225: Neil Gaiman). Easy enough to select representative novel (American Gods), short stories (Fragile Things), children and YA (Graveyard Book), but here's the rub: I will likely only assign one Sandman graphic novel to students. I have been debating which is most representative, most worthy of inclusion, most amenable to class discussion and student scholarship. Then I thought I'd ask you. I know you suggest above that, for questions of this sort, we consider you a dead author, but I know you're not. When I came to a similar impasse about which of Ursula Le Guin's works to include in another class, she actually replied and offered her input. I extend the same offer to you: which of the Sandman volumes would you like to see on the syllabus?
Thank you for your time,
Nicholas Ozment, English Instructor
WSU

It's a hard one. I think if I were teaching I'd either go for Season of Mists or Fables and Reflections, because both of them have stuff to teach -- those nice chewy bits that people can like or dislike, argue with or discuss. I know a lot of teachers like to teach Dream Country because a) Midsummer Night's Dream won awards, and b) it's short and c) it has a script in the back. Your call. And good luck.

...

I mentioned recently that there were some beautiful new Polish and Russian book covers for my books that I'd seen at signings, which got me thinking. The International Cover gallery on this website is incredibly out of date.

It's at http://www.neilgaiman.com/p/Neil's_Work/International_Covers.

And though I get a lot of foreign editions in, and will at some point head down to the basement and rummage around and scan some (this week's mail brought the two-volume Japanese edition of Anansi Boys, on the cover of which Fat Charlie is not only Very White, but also Very Thin, and the complex Chinese - ie. Taiwan and Hong Kong - edition of The Graveyard Book) I thought that blog readers, being, as you are, all over the world, might be a better resource for knowing where to look for foreign covers.

Was your basement finished when you purchased your home or did you have it finished for your basement library? If you finished it yourself, how difficult was it? Also, I thought I saw a dehumidifier in one of the Photosynth pictures. Do you need one because of the books?

I'm asking because we have a full unfinished basement that we would like to have finished. We are running out of room for our books also. I don't think we don't have as many as you do though. :)

Any other suggestions for such a project would be greatly appreciated!

Thanks,
C.

No, when we got here the basement had a clay floor that puddled when it rained. We hired some nice builders and spent a lot of money finishing it, putting in drainage tiles, underfloor heating and all. There's a dehumidifier there in the summer and a humidifier in the winter, because after the first few years I noticed that binding glue and leather book covers were both cracking and flaking. There's now the equivalent of a large house in basement rooms beneath this house, filled with books and CDs and suchlike stuff.

And finally, a few photos from the China trip, taken by Ian Ford (or in one case, on his camera). Ian's a travel guide who now lives in China who helped organise my travels, and came along with me for part of the journey.

Amanda and I in the silk clothes that my publisher had given us as a thank you for coming, and because they are terrific.

I'm holding the Galaxy Award for this year, given to the foreign author most popular with Chinese reader-voters. This was my second year of winning it, so I have retired from the competition and said that they have to find a new favourite foreign author now.

71 Total : 30 Seconds to Mars, Adam Lambert, My Chemical Romance, The Boondock Saints

[01-20] Jared Leto
[21-40] Shannon Leto
[41-42] Tomo Millicevic
[43-51] Leto Brothers/30STM Group
[52-62] Adam Lambert
[63-69] Frank & Gerard (My Chemical Romance)
[70-71] The Boondock Saints

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http://journal.neilgaiman.com/2009/11/final-reminder-for-bookshops.html

A quick reminder (as I was just asked) that today is the day that the bookshop Graveyard Book party reports have to be in to Harper Collins. By 9 pm PST.

http://files.harpercollins.com/Mktg/HarperChildrens/PDF/GraveyardContest_rules.pdf are the rules and info for those who lost them.

Hi Mr. Gaiman,

I was disappointed today to read you won't be part of the judging for The Graveyard Book contests. My not-wealthy, middle-of-nowhere bookstore just sent in its entry, and something we're concerned about is the fairness of judging.

For example, independent bookstores like Powell's (I'm sure you know) easily have enough money and are in a convenient enough location to ask you to come at one time or another. Against stores like that, who were able to put more money into their parties, we stand little chance.

I don't think that it's a lost cause for us; we were very creative. I'm just nervous to know you won't be judging. Can you tell me whether you think the judges will take things like size and location of bookstores into account? It would make me sleep a little easier until the results are announced.

Tusen takk,
Allison

Well, per the rules, the judging is based on:

(i) Overall creativity of the Party, as demonstrated by the invitations, signage, decorations, activities, entertainment, and refreshments.
(ii) Customer attendance and response (i.e., enthusiasm, costumes, participation).
(iii) Ability to capture and represent the spirit of The Graveyard Book.
...specifically to reward creativity, and not the ability to outspend other shops. (That was also why the party had to actually be at the bookshop, and not at another location.)

I asked my editor, Elise Howard, and she said,

Gosh, yes. Here's what we think is happening. We are looking at all the entries. On Monday, we'll send you the best 11, from which you will choose the Grand Prize Winner. The rest will get the first-prize package. So the short answer is that you ARE helping to choose.

The longer answer is that we will be very fair and will consider creativity, which includes work done with available resources, along with pure execution. (Don't you think? We haven't done anything yet; still waiting for more entries to come in.)

...which means that

a) I was wrong and will be the ultimate judge, from the shortlist. (Damn.)

and

b) everyone's on a level playing field.

Does that help reassure you?

PS -- Widgett's Graveyard Book Dessert competition winners have been announced over at http://www.needcoffee.com/2009/11/06/graveyard-book-dessert-challenge-winners/.

This one had NOTHING to do with me at all. But lor' the winning desserts look tasty...

http://journal.neilgaiman.com/2009/11/note-to-self-nights-are-for-sleeping.html

Still trying to get back onto a diurnal schedule. (And, I should add, failing.)
And, of course, although I posted it before, it bears repeating that you can watch the film that Steven-Charles Jaffe made of the "Dark and Silly Night" comic Gahan and I did for art spiegelman and Francoise Mouly's Little Lit at the New Yorker site, or here:



And if I'd been here for Hallowe'en I would have posted it here then. Which reminds me, The Graveyard Book party season is over. Over thirty independent bookshops had Graveyard Book parties (The ABA's Bookselling This Week reports on thirteen of the parties -- and the shops -- at http://news.bookweb.org/7149.html.) The very best one of all will get me in their shop doing a signing in December and, looking at these thirteen, I am very glad I am not any kind of a judge for the awards.

My only hope is that the shop that wins will be somewhere warm. But most of the places on the party map will be just as cold by December as my house. (Vague and only climate-based relief that HarperCollins said No to Alaska in the rules mingles with vague and selfish disappointment that they also said No to Hawaii.)

It looks like the CBS Sunday Morning profile on me is going out this Sunday, the 8th, 9:00-10:30 AM, ET. According to this website:

Correspondent Serena Altschul visits author Neil Gaiman -- the tender-hearted master of the macabre -- whose books, including Coraline and The Graveyard Book have topped best-seller lists for 25 years.

.. which left me wanting to go "I am NOT a tender-hearted master of the macabre, I am in fact VERY SCARY INDEED," but I suspect I would convince nobody.

Thrilled to see that Odd and the Frost Giants was listed as one of Amazon.com's Best Books of 2009. While I was in China The Graveyard Book was listed as one of the ALA's teens top ten for 2009 as well, an award voted on by over 11,000 teens. (And I made it onto the list with lots of other good people.)

Also, Fragile Things was awarded the French 2010 Les Grands Prix de l’Imaginaire Award for translated short fiction. My thanks to the judges, but mostly to the translator, who in this case is the incredibly talented Michel Pagel. If I ever look good, do well, sell books or am popular in a foreign country, it's because of the translators, and they never get enough thanks or acclaim. And I think I'll post the cover here, because I never have.

You're welcome. I think this link has everything for sale in the auction: http://shop.ebay.co.uk/scrawldog/m.html?_nkw=&_armrs=1&_from=&_ipg=&_trksid=p3686

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I went to XinjiangProvince in Western China to continue researching my Monkey/China book. This is the photo I took of a scenic building that, I discovered when the men came out to arrest us, turned out to be a police station. If you're in Kashgar do not take pictures of this building. Trust me on this.



... or discussion of the pomegranate crop, counted as politics. It made my journey even stranger than it might have been already.
More photos of China and Singapore in my next post, I hope. In summary: Singapore was wonderful, but the visit was much much too short: we were there for about 50 hours altogether. Once again, the food was amazing and the people delightful.


(Middle photo of the amazing bubble by Miss Holly Gaiman. Who is fundraising.)

God knows, I've had my share of problems with the CTA - including once having a bus driver close a bus door on my leg and start driving off - but that lady's story just doesn't add up.

My own guess? I don't think she just made it up - although that's certainly possible. This is wildly speculative, but based on witness accounts and how it ended up - and the fact that I take the train from this station every day - here's what I think happened.

The mother ran up the stairs with the baby in one arm and the stroller in the other, yelling at someone to hold the train. Most of the time - we're all anxious to get to work, and we'd just as soon the stragglers wait the 5-8 minutes for the next train. So probably no-one paid attention. If the mother got to the top of the stairs before the doors closed, I suspected she did with the stroller and the train car what a lot of us do with umbrellas and elevator doors - she stuck the stroller in the door trying to get the doors to open again.

I'm not exactly sure what happened next. If the stroller was stuck only part way in the door, the door should not have closed. However, if what was stuck through the door was small enough - like maybe the handle of an umbrella stroller - well, I've seen doors close on purses before. That the motorman stepped away from the window before the doors were totally closed would not surprise me - that's the way it normally works, and it's what keeps you from sitting forever at each stop (you can tell a trainee motorman by the delay between when the doors close and when the train stops moving). I'm thinking that either the stroller didn't get in the doors at all - and that one they found later is not the one in question - or she pushed it too hard and it went all the way in, and the doors kept closing.

So, Mom was running down the platform precariously balancing the baby and the stroller, yelling and trying to open the train doors with the stroller, and she hit that barrier at the end of the platform, tripped, and the baby flew out of her arms and onto the tracks. She yells for help, safely retrieves the baby, but collects herself enough to alter the truth a little to the horrified onlookers.

I might well be totally off-base here, but this scenario seems really plausible to me. I just don't know how this can possibly turn out well for any of the parties involved.

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I let my heart melt under my clothes I can feel the fluid of it slowly staining through my shirt front. The glow from the love I'm fealing resonates through the three layers of shirts to set my aura a blaze. I'm in love with the evening, with the twilight, with the music that blends so seemlessly with my surroundings, creating a soundtrack compiled of my favorite artists and their smooth lyrics of self reflection.
The sun is setting, and when I reach my destination it will have gone to sleep, and the only light on the night will be the street lamps that guide me safely to my destination. A trip maticulously planned by myself and a devine entity helping to guide me to the write answers.
The lights we pass twinkle on, windows are still dark because their inhabitors are still using their methods of transportation. The sky is a rainbow, the dark blues have taken over the vastness of the skies, and the horizon is painted in the warmest of the reds.
I am blessed by these moments. I have been given an oportunity to enjoy something so rare as a beautiful twilight. I have been given a gift and gladly it is one I will keep for as long as possible. My glow brightens hopefully, and I am happy.